Taking care of each other
My full piece for the @ai-yurionicezine ♡ This zine is so beautiful I am so glad I got to participate!
Category: Uncategorized
check out this goblin
even when resting, his greedy claws scrabble for treasures and gold
“Thank you for everything up to now”
While this show is not without its share of flaws, it gave us one of the most gorgeous couples to grace anime. And I’m not really ready to let these two go in a couple days (ಥ﹏ಥ) at least I got around to drawing them being in love in Barcelona.
Also shout out to the entire YOI fandom, you guys are amazing, it’s been so fun running around tumblr seeing all these fantastic fanarts and episode analysis and all around support for this show. Much love to you all ~ ♡
Has anyone made anthropomorphized versions of Fyre Festival and Dashcon and shipped them together yet? Because I feel like that’s something that needs to happen. Like one’s this super rich snobby kid and the other is a quiet, obsessive fanchild and they’re both complete disasters and turns out they’re perfect for each other.
some thoughts should just be kept to yourself
honestly “you shouldve killed me when you had the chance” is probably the funniest thing you can say after minorly inconveniencing someone and i plan to say it always
When you are writing a story and refer to a character by a physical trait, occupation, age, or any other attribute, rather than that character’s name, you are bringing the reader’s attention to that particular attribute. That can be used quite effectively to help your reader to focus on key details with just a few words. However, if the fact that the character is “the blond,” “the magician,” “the older woman,” etc. is not relevant to that moment in the story, this will only distract the reader from the purpose of the scene.
If your only reason for referring to a character this way is to avoid using his or her name or a pronoun too much, don’t do it. You’re fixing a problem that actually isn’t one. Just go ahead and use the name or pronoun again. It’ll be good.
Someone finally spelled out the REASON for using epithets, and the reasons NOT to.
In addition to that:
If the character you are referring to in such a way is THE VIEWPOINT CHARACTER, likewise, don’t do it. I.e. if you’re writing in third person but the narration is through their eyes, or what is also called “third person deep POV”. If the narration is filtered through the character’s perception, then a very external, impersonal description will be jarring. It’s the same, and just as bad, as writing “My bright blue eyes returned his gaze” in first person.
Furthermore,
if the story is actually told through the eyes of one particular viewpoint character even though it’s in the third person, and in their voice, as is very often the case, then you shouldn’t refer to the characters in ways that character wouldn’t.
In other words, if the third-person narrator is Harry Potter, when Dumbledore appears, it says “Dumbledore appears”, not “Albus appears”. Bucky Barnes would think of Steve Rogers as “Steve”, where another character might think of him as “Cap”. Chekov might think of Kirk as “the captain”, but Bones thinks of him as “Jim”.
Now, there are real situations where you, I, or anybody might think of another person as “the other man”, “the taller man”, or “the doctor”: usually when you don’t know their names, like when there are two tap-dancers and a ballerina in a routine and one of the men lifts the ballerina and then she reaches out and grabs the other man’s hand; or when there was a group of people talking at the hospital and they all worked there, but the doctor was the one who told them what to do. These are all perfectly natural and normal. Similarly, sometimes I think of my GP as “the doctor” even though I know her name, or one of my coworkers as “the taller man” even though I know his. But I definitely never think of my long-term life partner as “the green-eyed woman” or one of my best friends as “the taller person” or anything like that. It’s not a sensible adjective for your brain to choose in that situation – it’s too impersonal for someone you’re so intimately acquainted with. Also, even if someone was having a one night stand or a drunken hookup with a stranger, they probably wouldn’t think of that person as “the other man”: you only think of ‘other’ when you’re distinguishing two things and you don’t have to go to any special effort to distinguish your partner from yourself to yourself.
hey take this quiz about which greek god/goddess you relate to most!
I got Nyx
I got Ares
I BET THAT IF TWO KIDS LIVED IN THOSE TWO HOUSES THAT THEY WOULD COME OUT ON THEIR ALMOST CONJOINING ROOFS OUTSIDE THEIR BEDROOM WINDOWS AND TALK AND BE BEST FRIENDS AND FALL IN LOVE.
I will not write fluff to that. I won’t. No.
LUCY I FOUND IT
But what if instead of two kids, it was, say, a kid and an old woman? And at first they just ignore each other and keep their blinds down and curtains shut, but then the kid climbs out onto the roof one spring morning to get a frisbee and she’s got the window open bc it’s so nice out and she tells him to cut that out, it’s not a jungle gym and maybe the kid shows off a bit and nearly falls, and the old woman catches his arm…. anyway, so sometimes they leave the windows open and the kid’ll show off his comic books or asks what rhymes with ‘beautiful’ (and it’s totally for homework shut up), and the old woman tells him about all the protests and marches she took part in, and asks him the name of that one cute pop star (it’s absolutely for her crossword now shush). And the old woman gives the kid relationship advice, and doesn’t tell when he tries a bit too much of his parents’ liquor cabinet one time, and the kid comes over and shows her how to use the smartphone her daughter bought for her, and doesn’t tell when she sneaks a cigarrette out of said daughter’s bag. And when the weather’s too bad to open the windows, they tape silly pictures or notes to the glass for the other to see (the kid makes sure to make his extra big so she doesn’t have to admit her eyeight isn’t what it used to be), and when it is nice the kid will sneak over and leave seashells on her windowsill, because the old woman said once she misses the sea, but she can’t travel like she used to. And one day he peeks in her window and sees her on the floor, and calls 911 and basically saves her life because she had a stroke and nobody would’ve known in time otherwise. And when she finally gets back from the hospital, just for a while because her daughter’s talking about a retirement home where she’ll have plenty of medical care and lots of friends her age, the kid comes through the window and then pulls another kid through the window who he introduces as his boyfriend, and says he wanted her to meet him. And she sniffs and interrogates the boyfriend in proper elderly relative fashion, and then declares him worthy of her boy– barely. And when she finally does have to go to that retirement home, the kid still comes to visit her, and always leaves seashells on the windowsill.
I haven’t seen this post in years…
Artist’s Temporary Decaying Art Brings Enchantment To The Forest
British sculptor Andy Goldsworthy is known for his phenomenal and temporary, installations which involve using natural elements, ranging from sticks, stones, leaves and twigs and anything that grows out of the earth. Sharing a special connection with the land ,which he celebrates in all his sculptures, Goldsworthy shows the world that nature cannot be contained, but only its beauty can be held on a canvas for precious few moments before the land recalls what it once grew.