analyticalsenshi:

hogwartsaheadcanon:

beautyandthepriest:

concept: instead of hedwig, Harry goes into the pet store and this little snake in the back of the store talks to him, obviously gets his attention more than the other animals, and harry feels sorry for it so he takes it home. Then the snake helps Harry throughout his years at hogwarts as harry carries it wrapped around his hand all like “pssssst, haaarryyy, the dark lord isss coming sss” or just petty shit like “haaaarrryy, now is the time, assskkk out cho chaaannngg”

The snake getting really agitated in second year and Harry like ‘Aw, what’s wrong little friend?’

And snake’s like ‘Nah don’t worry it’s cool, it’s just that big fuck-off snake in the pipes that keeps making you think you’re hearing things—it’s like, ten thousand foot long, and I’m a corn snake, so you know. Bit intimidating.’

Third year he eats Scabbers and saves them all a lot of time

List of Elemental Abilities

thewritershandbook:

Air/Wind

Earth

Fire

Water

Darkness

Electricity/Lightning

Energy

Ice

  • Cryokinesis – control ice, snow and other forms of frozen water.
  • Freeze Breath – freeze things in solid ice.
  • Freezing – lower the temperature in kinetic atoms to freezing temperatures.
  • Frigokinesis – control snow either as precipitation or already on the ground.
  • Ice Beam – shoot beams of freezing energy.
  • Ice Generation

Light

Weather

  • Atmokinesis – manipulate the various aspects of the weather by using water, fire, earth, air, and lightning/electricity.
  • Atmokinetic Resistance – immunity to all weather-based abilities and effects.
  • Atmokinetic Sensing – sense the future weather patterns.

Other

From Superpower Wikia. See their complete list of superpowers HERE.

20 Basic Plots

thewritershandbook:

1. QUEST – the plot involves the Protagonist’s search for a
person, place or thing, tangible or intangible (but must be
quantifiable, so think of this as a noun; i.e., immortality).

2. ADVENTURE – this plot involves the Protagonist going in search
of their fortune, and since fortune is never found at home, the
Protagonist goes to search for it somewhere over the rainbow.

3. PURSUIT – this plot literally involves hide-and-seek, one person chasing another.

4. RESCUE – this plot involves the Protagonist searching for
someone or something, usually consisting of three main characters – the
Protagonist, the Victim & the Antagonist.

5. ESCAPE – plot involves a Protagonist confined against their
will who wants to escape (does not include some one trying to escape
their personal demons).

6. REVENGE – retaliation by Protagonist or Antagonist against the other for real or imagined injury.

7. THE RIDDLE – plot involves the Protagonist’s search for clues
to find the hidden meaning of something in question that is deliberately
enigmatic or ambiguous.

8. RIVALRY – plot involves Protagonist competing for same object or goal as another person (their rival).

9. UNDERDOG – plot involves a Protagonist competing for an object
or goal that is at a great disadvantage and is faced with overwhelming
odds.

10. TEMPTATION – plot involves a Protagonist that for one reason
or another is induced or persuaded to do something that is unwise, wrong
or immoral.

11. METAMORPHOSIS – this plot involves the physical
characteristics of the Protagonist actually changing from one form to
another (reflecting their inner psychological identity).

12. TRANSFORMATION – plot involves the process of change in the
Protagonist as they journey through a stage of life that moves them from
one significant character state to another.

13. MATURATION – plot involves the Protagonist facing a problem
that is part of growing up, and from dealing with it, emerging into a
state of adulthood (going from innocence to experience).

14. LOVE – plot involves the Protagonist overcoming the obstacles to love that keeps them from consummating (engaging in) true love.

15. FORBIDDEN LOVE – plot involves Protagonist(s) overcoming
obstacles created by social mores and taboos to consummate their
relationship (and sometimes finding it at too high a price to live
with).

16. SACRIFICE – plot involves the Protagonist taking action(s)
that is motivated by a higher purpose (concept) such as love, honor,
charity or for the sake of humanity.

17. DISCOVERY – plot that is the most character-centered of all,
involves the Protagonist having to overcome an upheavel(s) in their
life, and thereby discovering something important (and buried) within
them a better understanding of life (i.e., better appreciation of their
life, a clearer purpose in their life, etc.)

18. WRETCHED EXCESS – plot involves a Protagonist who, either by
choice or by accident, pushes the limits of acceptable behavior to the
extreme and is forced to deal with the consequences (generally deals
with the psychological decline of the character).

19. ASCENSION – rags-to-riches plot deals with the rise (success)
of Protagonist due to a dominating character trait that helps them to
succeed.

20. DECISION – riches-to-rags plot deals with the fall
(destruction) of Protagonist due to dominating character trait that
eventually destroys their success.

by Pavel Simakov